Separated by the Wall that snakes through the occupied West Bank, Omar has become adept at dodging surveillance bullets in order to climb the wall and visit the beautiful Nadia.

Inspired by real events, the film is a rare glimpse into Palestinian society from the inside. At the height of the 2002 Palestinian Uprising, Tareq, an enigmatic man bearing fresh wounds, is tended to by local nuns, who help him to escape.

In the framework of the public program of the Sci-Fi Trilogy exhibition and Film Tuesday, Dar El-Nimer for Arts and Culture would like to invite you to a screening of two short films by Larissa Sansour.

In the framework of the Sci-Fi Trilogy exhibition and Film Tuesdays, Dar El-Nimer for Arts and Culture would like to invite you to the screening of three of Larissa Sansour’s films – 'A Space Exodus' - 2009, 'Nation Estate' - 2012, and 'In the Future They Ate From the Finest Porcelain' - 2016.

A young filmmaker investigates the legend of Manivelle, an automaton gifted to Lebanon in 1945 that still haunts an abandoned mansion in Beirut.

موج ٩٨ | إيلي داغر
يجد عمر نفسه يكافح من أجل الحفاظ على الروابط التي تترجم شعوره بالوطن
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صمت | شادي عون
نبذة عن مجتمعٍ طاغٍ و مختل، يدفع ببعض من المتمردين فيه إلى الرقص على شفير الهاوية

Waves '98 | Ely Dagher
Omar's discovery lures him into the depths of the city.

Silence | Chadi Aoun
In a fanatic dictatorship, modern dance is the secret code of the silent resistance.

The family home forms the venue for frequent lively and often humorous discussions. From these debates emerges the recent history of the country and the way political change has irreversibly transformed society .

The film dwells in various intimate moments that the daughter tries to capture all along her stay, trying to get answers to all her questions, before it's too late.

From 1978 to 1988, Mariam's correspondence with her husband happened through audio cassettes that she sent with travelers. The tapes provide intimate and personal details of how a relationship evolves between a couple through the passing of time.

The film recalls the family's forgotten and scattered past through a love story that combined religions, nations, ideologies and wars while contemplating the destiny that awaited such a love story.

Haykal feels that his role is more significant than ever: he must remain in his land and sustain his own project.

Accompanied by her father, who took part in the reconstruction of Beirut in 1992, Srage wanders through Dalieh, a small city-center port where the last families of fishermen are soon to be evicted as the district is privatized.

'Lego House' tells the life story of an Iraqi artist through his artworks and how the wars in his homeland and Syria took its toll on his profession, as well as his personal life.

By observing life in a quasi-ghost village, the film reflects upon collective and individual memory, in a country whose inhabitants seem unwilling to learn from their past, even while on the brink of a new civil war.

A group of Palestinian activists starts a collective dairy farm with 18 head of cattle. Once their “Intifada milk” gains popularity, the Israeli army orders the farm’s closure, declaring the cows a threat to national security.

As a result of being jailed in the Shin Bet’s Al- Moskobiya investigation center at the age of 18, director Raed Andoni has fragments of memories he cannot determine as real or imagined. In order to confront the ghosts that haunt him, he decides to try to rebuild that mysterious place.

Twelve Palestinian women talk of their life before the Diaspora, of their memories and their identity. Their narratives are connected by the enduring thread of the ancient art of embroidery.

The first Intifada, 1987: Palestinian leaders urge communities to develop alternatives to Israeli products.

The film is inspired by a true story and shot in a real prison with lead actresses Maisa Abdel Hadi and Nadera Omran. It won over 24 international awards and represented Palestine at the Golden Globes and Jordan at the Academy Awards for Best Foreign Film in 2017.